In modern European culture the explication and the understanding of nature is determined by the specific traits of systemic objects investigated by science. The paper singles out three types of systemic objects, i.e. simple (mechanical) objects, complex self-regulating, and complex self-developing systems. Categorical structures accounting for each of these types are analyzed.The paper shows that the investigation of every new type of systems changes the type of scientific rationality (classical, nonclassical, post-nonclassical).

Heidegger and Badiou are not likely to be received as philosophical figures inheriting much in common. The only obvious ground which backs both thinkers is that of ontology as primary focus of their intellectual endeavors. However, this is divergence between their philosophies what makes an attempt to reveal some other conceptual foundations their doctrines have in common so important for a historian of the recent transformations in philosophy. The concept of subject looks as an indicator of differences between Heidegger and (...) Badiou, since Heideggerian destruction of the metaphysics of subject is opposed by positive and affirmative indoctrination of subject developed by Badiou. Affirmative concept of the subject implies certain references to Heidegger's negative hermeneutics of the Modern subjectivity where it says about reactionary subject or dark subject. As we see Badiou skillfully attunes his conception to the profound destructivity of Heidegger's negation of subject. What these two thinkers share is certainly the need for a middle term between totality and unifying force of being and particularity and contingency of the individual human life, which would be efficient in denoting the very transition of the particular into the common. The early Heidegger of decisive Dasein can be regarded as a forerunner of the Maoist revolutionary subject of Badiou, with its prophecy of becoming a historical driving force and gathering the strength of the particular around a traumatic Event. For both Heidegger and Badiou the "movement" of truth proceeds trough a series of choices which cannot be governed by a law or "an algorithm." The indiscernible truth forces a subject to permanently find him/herself amid the "undecidable." The procedure of fidelity traverses the existent knowledge. One can scarcely know whether an event has taken place, one can rather bet upon its truth. For both philosophers the concept of truth is indissolubly connected with the problems of ethics. Heidegger points to the "most primordial truth," which is the "truth of existence." Abiding in this truth, Dasein discloses itself to itself and discovers its ownmost potentiality-for-Being. (shrink)

In the existing philosophical interpretations of mystical experience (constructivism, essentialism, etc.), its essence is usually seen in the features of "mystical knowledge". At the same time, the value-semantic foundations of mystical experience and its existential aspect remain in the shadows. In this article, the mystical experience is analyzed from the standpoint of the theories of the subject's objective activity - the theory of activity (developed in Russian psychology), enactivism, and the concept of the "life world". It is shown that the (...) essence of mystical experience is manifested not in cognitive, but in value-semantic, existential attitude to the world, which is represented by two groups of value-semantic viewpoints. In the first, the dependence of the subject on the sacred object of mystical experience is expressed, in the second - the volitional focus of the subject on overcoming such dependence, "mastering", "acquiring" the sacred object. These attitudes reflect the duality of the need-motivational sphere of consciousness, which gives the activity of the subject, on the one hand, activity, energy, and on the other, meaning. In mystical experience, the subject of active "development", "acquisition" (which can be both real and virtual) is an imaginative "otherworldly reality". The analysis allows us to conclude that mystical experience is one of the forms of motivational states of consciousness. Its peculiarity is that it is aimed at realizing the need for the harmonization of the subject's relations with the natural and social environment, the subject's finding the meaning of the "existence of his self" in an always open to the future, incomplete life world. It is the motivational basis that gives the mystical experience an improvisational character, as well as a creative, renewing potential (within the boundaries of the sensory-emotional experience of the world by the subject). The article also analyzes the concept of semantic reality. It is shown that the semantic foundations of mystical experience reflect the individually unique aspects of human life, are the result of the interactions of many factors of socio-cultural, individual-personal nature (psychological, medical, pharmacological, gender, psychiatric, etc.). (shrink)

The conceptual basis of Hellenic theology was theoretical reflection on the essence of myth, the philosophy of mythology. Several stages can be distinguished in the history of Hellenic theology. The subject of this article is the Hellenic theology of the epoch of the high classics (Vt. half of the V century BC). The cultural roots of the High Classics go back to the ancient Enlightenment, which formed the rational attitude of the ancient consciousness to the world. The main event of (...) the era of High Classics is the Peloponnesian War, which accelerated the crisis of the polis system, its way of life, and cultural ideals. The war led to the rupture of social ties, accelerated the individualization of the consciousness of the individual, forced to seek new social and spiritual supports. Serious shifts have taken place in the existential foundations of Hellenic religion, the understanding of man's dependence on the will of the Olympian gods and the measure of human influence on them has changed. If at the beginning of the epoch of the High Classics there was a semantic harmony of the relations between the human and the divine, then by the end of the epoch it was replaced by the confrontation and alienation of the sacred and profane. Ideas about the dependence of man on the world of the gods and the possible influence on the sacred have "blurred", have become extremely uncertain. This tendency manifested itself in various forms - in the strengthening of the influence of sophistry with its skepticism, the opposition of Chthonic and Olympic mythologies, the actualization of the motive of the birth of new gods (while the old ones do not die at all), stories about the deification of bright personalities, etc. Including in the theology of the Hellenic religion, concentrated expressed by the plots and images of the ancient drama (Sophocles, Euripides). The juxtaposition of the sacred and the profane made Hellenic religion meaningless, led it to self-denial. Under these conditions, Hellenic theology was faced with the need to transform the image of the sacred world. Firstly, by giving the otherworldly reality an abstract-conceptual transcendence. Secondly, through the ultimate generalization of mythological images of the gods, up to monotheism. These tasks were solved by the next epoch - the late classics. (shrink)

The article deals with three patterns for interpretation of language in its relation to the cultural hegemony, i.e. Gramscian, Voloshinian, and Pasolinian. As was shown, the analysis of the language problem is the necessary precondition for justifying the unity of theoretical and practical elements within Marxist philosophy. A common feature for the aforementioned patterns was an attempt to answer a fundamental question: how it is possible to make explicit the relationship between ideology and relations of production by means of the (...) materialist dialectics. A refusal to fetishize language as a particular essence, a revealing that any sign systems are mediated by ideologies, and elaboration of a nonSaussurian structure of language are the core results of the proposed analysis. The starting point for the reflections of the mentioned thinkers was a tenet that communication in the state is determined by how much the institutions of power are able to bring the interests of society under control without disturbing the balance between the political body and the existing social forces. Thus, an ideology plays in two guises: as a symbolic order of legitimation on the society’s part and as a framing the growth of cultural forms. A distinction between the written and the spoken language becomes a politically significant tool to undermine the hegemony, for a balance between the political and the social, between the coercion and the approval, is widely open to fluctuations. Hence is the problem Marxist theorists have tried to solve: how can it be found out, with an examination of statements in non-political contexts, what someone talks of is a part of her political interest. The Marxist thinkers solved it in various ways. For instance, Gramsci focused himself on the reasons of making of the Italian literary canon; Voloshinov considered the proposition that in linguistics a formalism, as well as psychologism, following from a claim that semantics and means of expression are politically independent; and Pasolini sketched the difference between the spoken language, the spoken-written language, and the purely oral language, with unequal subjects of them. (shrink)

The subject of this research is, first of all, the ontological and phenomenological aspects of the prototype as a category and a kind of phenomenon in the field of art and poetic imagination. The research is carried out mainly on the material of the phenomenological-dialectical concept of A. F. Losev and the phenomenology of the poetic imagination of G. Bashlyar. The historical, philosophical and theological contexts of the concept of the prototype of Losev are revealed. The emphasis is made on (...) the ontological meaning of expression and the prototype, on the ontology of aesthetic and art. Losev's concept, as well as the "direct ontology" of the poetic image in the concept of Baschlyar, are applied to the artistic material that organically meets them. These are the texts of N. Gogol: "Sorochinskaya Fair", "The Night before Christmas", "Terrible Revenge", "Old World landowners", "Viy". The theme of the prototype as an archetype revealing the deep semantics of art has been sufficiently developed, in particular, based on the material of K. Jung's analytical psychology. The novelty of this study includes several aspects. Firstly, based on Z. Freud's approach to the close connection of the infantile-personal and the archaic in the psyche in the interpretation of this artistic material, Freud and Jung's approaches are combined, it is concluded that archaic and eroticism in the primordial element are merged into one whole, therefore it is not necessary to categorically oppose these two approaches to each other, at least when referring to archetypal material. Secondly, this study focuses on the ontological and phenomenological aspects of the prototype, which are not given enough attention in various studies. Thirdly, the study combines concepts such as phenomenological-dialectical, phenomenology of poetic imagination, intertextual analysis in relation to the subject of the prototype, which in their interaction allow us to more fully reveal the primitive element of art. All this can contribute to the creation of a holistic concept of the prototype in art and in the sphere of poetic imagination. (shrink)

The article is related to the revealing of the intent of Hegel’s “Science of Logic”. As authors take it, there is an attempt to imagine the fundamental level of reasoning, where there is no opposition between cognition and its object. In this dimension there is no need to substantiate compatibility between them — it is a level of primary foundation of knowledge. Consequently, any knowledge at this level may be characterized as “Ultimate”. That being said, place of such knowledge is (...) not taken by several specific statements, but by the certain way of organizing those “mental definitions” that are already used by common human sense. To organize these definitions, to arrange them into consistently deployed sequence of logical notions, there is need to abort the search for the primary foundation for knowledge inherent in philosophy from its very origins. This attempt was reflected in Kant's theory of knowledge, where the problem of the reliability of knowledge was solved due to self-limitation in the process of cognition — it was necessary to stop before a certain line, beyond which thought leaves “the limits of possible experience” and falls into the area of insoluble contradictions (antinomies). Hegel's Logic, which, according to the authors, is in a kind of “symbiosis” with the Kantian program, consists in considering these insoluble contradictions precisely as a “symptom” of achieving the primary foundation of knowledge. It is in the collision with an insoluble contradiction that the definitions are organized in the necessary logical sequence, and that fundamental level is reached where there is no opposition between cognition and its object. (shrink)

The article proposes to consider Hegel's “Science of Logic” as a project, where the most important thing is not to describe the “laws of thinking”, but rather to propose a more precise definition of the theoretical level at which thinking itself becomes the subject of its own description. Thus, on the one hand, Hegel reveals the paradox that lies at the basis of the logic as a philosophical discipline, and on the other, seeks to show the possibility of the existence (...) of the logic in the extreme conditions of this paradox. Within the framework of this approach, logic is inseparable from the theory of knowledge — it is assumed that the configuration or “form” of thinking cannot be “neutral” with respect to its content. Therefore, according to Hegel, in reality there is not the logic of isolated operations occurring in the mind, but the logic of “the object itself”, which shows and directly embodies itself in these operations. At this level, there is no gap between the thinking consciousness and objects of the external world separated from it. We are talking about a special — “pre-ontological” — dimension, where the subject's sensory experience is not yet launched and distinguished, and a subject of the thinking process and thinking itself form a single whole. Such a dimension is developed in the historical experience of philosophical thought, starting from Antiquity, and is captured by Hegel under the name of “Ultimate knowledge”. The article raises the question of why this dimension repeatedly eludes us, acquiring a “semi-mystical” status in the minds of Hegel's interpreters, and yet how it is still possible to infiltrate into it. (shrink)

Viacheslav Ivanov's concept of person underwent significant development in the course of his career. In his earliest works the person is a transient form that is to be superseded by union with the supra-personal, transcendent self. In works of his middle period Ivanov posits the person as an image of the transcendent self. Lastly, in the 1910s Ivanov integrated these two concepts into a hermeneutic view of the person as an agent of transcendence.

Viacheslav Ivanov, the central intellectual force in Russian modernism, achieved through his work an original synthesis of Christianity, Platonism, and the philosophy of Friedrich Nietzsche. His powerful intellect exerted an immeasurable influence in modernist Russia and the early Soviet Union, and after emigrating to Italy in 1924 he played an important role in intellectual debates in Western Europe between the wars. In recent years, Ivanov's manifold contributions have been recognized in all major aspects of Russian culture, including poetry, literary (...) theory, philosophy, and theology. In _The Russian Prospero_, Robert Bird uncovers the foundations of Ivanov's poetic and theoretical universe, traces its evolution, and explores its connections to cultural and intellectual currents in international modernism. Blending a close reading of Ivanov's work with a thoughtful analysis of his place within twentieth-century thought, Bird finds that Ivanov's ecstatic creative psychology leads directly to a consideration of history as a continuum of human interpretive activity, and to a conception of art as a historical force. He emphasizes and dramatizes Ivanov's quest to harness the power of art and apply it to concrete life-situations. It is the dilemma of Prospero, who must liberate his attendant spirit Ariel in order to restore full sovereignty over his own creative self and to regain ethical agency. The productive tension that resulted from Ivanov's struggle was a remarkable force in Russian modernism and remains a powerful spur for our own reflections on modernity. Outstanding Academic Title, _Choice_ Magazine “[Bird’s] clear explanations of Ivanov’s ideas and his informed, insightful, astute readings of the poetic works make this book required reading for anyone interested in modern poetry, intellectual history, cultural studies, and philosophy of early 20th century Russian and European thought.... Essential.”—_Choice_ “[Bird] makes a welcome contribution to our understanding of Russian modernism in its broader European context.... In this undertaking he has not only succeeded admirably, but will undoubtedly inspire others to follow him.”—Pamela Davidson, _The Russian Review_ “The most comprehensive overall treatment of Ivanov’s work to date.”—David N. Wells, _The Slavic and East European Journal_. (shrink)

P. Ia. Chaadaev continues to attract the attention of researchers of Russian thought. Some recent publications in our press justify the assertion that scholars are interested not only in this or that side of the views of "the philosopher of Basmannaia Street" but also in the very character of his mentality and its place in the history of Russian philosophical thought. Thus, Viacheslav Vsevolodovich Ivanov writes in his article "Chaadaev-Our Contemporary" [Chaadaev-nash sovremennik] : "There are several reasons why Chaadaev (...) is not at home in Russia and in the history of Russian thought. One of them is his extreme rationalism and logical orientation. He is the follower of Western European rationalism, mainly, I think, of the French rationalist tradition. For him the chief achievement of civilization is the syllogism, the deduction of logical conclusions from some kind of premises and he takes history to be a unified whole." The same problem of Chaadaevan mentality is raised by P.V. Kuznetsov in his article "The Metaphysical Narcissus: P. Ia. Chaadaev and the Fate of Philosophy in Russia" [Metafizicheskii nartsiss. P. Ia. Chaadaev i sud'ba filosofii v Rossii] , which contrasts Chaadaev's thought with the Eastern "apophatic consciousness.". (shrink)

In this paper Russian Symbolist philosophy is represented primarily by Viacheslav Ivanov (1866--1949), but its conclusions are intended to be valid for other philosophers we classify as Symbolist, including Nikolai Berdiaev and S. L. Frank. It is posited that, by comparing Ivanov''s cosmology, aesthetics, and anthropology to those of Martin Heidegger, one can reconceive of Symbolist philosophy as an existential hermeneutic. This, it is claimed, can help to identify a common basis among the Symbolist philosophers, and also to place (...) Russian thought in the context of modern European philosophy and vice versa. (shrink)

We propose a formal framework for interpretable machine learning. Combining elements from statistical learning, causal interventionism, and decision theory, we design an idealised explanation game in which players collaborate to find the best explanation for a given algorithmic prediction. Through an iterative procedure of questions and answers, the players establish a three-dimensional Pareto frontier that describes the optimal trade-offs between explanatory accuracy, simplicity, and relevance. Multiple rounds are played at different levels of abstraction, allowing the players to explore overlapping causal (...) patterns of variable granularity and scope. We characterise the conditions under which such a game is almost surely guaranteed to converge on a optimal explanation surface in polynomial time, and highlight obstacles that will tend to prevent the players from advancing beyond certain explanatory thresholds. The game serves a descriptive and a normative function, establishing a conceptual space in which to analyse and compare existing proposals, as well as design new and improved solutions. (shrink)

t. 1. Apo ton prōto skeptomeno anthrōpo mechri ton 6. aiōna M.Ch. -- t. 2. Apo ton 7. aiōna M.Ch. mechri to sēmera.

Ptolemy reports three dated lunar eclipses observed by Hipparchus, and also refers to two more, without identifying them, which Hipparchus compared with two earlier counterparts (apparently, observed in Mesopotamia) to assess the validity of the Babylonian period relations of the lunar motion. Also, in Pliny the Elder’s Historia naturalis, we are told that a horizontal lunar eclipse (selenelion) at sunrise and moonset was reported (observed?) by Hipparchus. Reviewing a paper by G.J. Toomer in 1980, it is shown that the pairs (...) of the eclipses were, almost certainly, the ones occurring on “31 January 486 b.c. and 27 January 141 b.c.” and “19 November 502 b.c. and 14 November 157 b.c.”; and if Hipparchus observed from St. Stephen’s Hill in Rhodes, the most probable candidate for the selenelion at moonset was the lunar eclipse of 7 February 142 b.c., although he also had the chance to observe any of the four others, occurring on 3 July 150 b.c., 10 April 145 b.c., 26 November 139 b.c., and 15 November 138 b.c., on a sufficiently elevated mountain on the island. (shrink)

The practical goal of preventing premature death seems uncontroversial. But the term ‘premature death’ is vague with several, sometimes conflicting definitions. This ambiguity results in several conceptions with which not all will agree. Moreover, the normative rationale behind the goal of preventing premature deaths is masked by the operational definition of existing measures. In this article, we argue that ‘premature death’ should be recognized as a normative concept. We propose that normative theories should be used to justify measures of premature (...) death to provide them with normative validity and public legitimacy. (shrink)

This letter replies to the letter “Colonial and Neocolonial Barriers to Companion Digital Humans in Africa,” by Luís Cordeiro‐Rodrigues, in the same, May‐June 2024, issue of the Hastings Center Report.

From the concrete experience of war, Michael S. Yandell constructs a phenomenology of “negative revelation” in which false or distorted claims of goodness and justice disintegrate and become meaningless, adding depth to the term moral injury.

Capital punishment—the legally authorized killing of a criminal offender by an agent of the state for the commission of a crime—stands in special need of moral justification. This is because execution is a particularly severe punishment. Execution is different in kind from monetary and custodial penalties in an obvious way: execution causes the death of an offender. While fines and incarceration set back some of one’s interests, death eliminates the possibility of setting and pursuing ends. While fines and incarceration narrow (...) one’s routes to happiness, death eliminates its possibility. Not surprisingly, there is much debate about the moral permissibility of capital punishment. This entry maps the terrain of this debate. The first section discusses justifications of the death penalty as they appear in major theories of punishment. The second section surveys moral objections to execution that apply to most justifications. The third addresses procedural criticisms, which do not target the morality of execution so much as the justice of its implementation. (shrink)

In this short, dense essay, Jean Cavaillès evaluates philosophical efforts to determine the origin - logical or ontological - of scientific thought, arguing that, rather than seeking to found science in original intentional acts, a priori meanings, or foundational logical relations, any adequate theory must involve a history of the concept. Cavaillès insists on a historical epistemology that is conceptual rather than phenomenological, and a logic that is dialectical rather than transcendental. His famous call (cited by Foucault) to abandon "a (...) philosophy of consciousness" for "a philosophy of the concept" was crucial in displacing the focus of philosophical enquiry from aprioristic foundations toward structural historical shifts in the conceptual fabric. This new translation of Cavaillès's final work, written in 1942 during his imprisonment for Resistance activities, presents an opportunity to reencounter an original and lucid thinker. Cavaillès's subtle adjudication between positivistic claims that science has no need of philosophy, and philosophers' obstinate disregard for actual scientific events, speaks to a dilemma that remains pertinent for us today. His affirmation of the authority of scientific thinking combined with his commitment to conceptual creation yields a radical defense of the freedom of thought and the possibility of the new. (shrink)

This article critically analyzes Rawls’s attitude toward envy. In A Theory of Justice, Rawls is predominantly concerned with the threat that class envy poses to political stability. Yet he also briefly discusses the kind of envy that individuals experience toward their social peers, which he calls particular envy, and which I refer to as peer envy. He quickly concludes, however, that particular envy would not present a serious risk to the stability of his just society. In this article, I contest (...) this claim by arguing that the principles that structure Rawls’s ideal society are likely to exacerbate particular envy to a politically risky extent. Section 1 reconstructs his account of envy, giving special attention to his belief that competition kindles envy between peers. Section 2 then examines the way in which Rawls often endorses rivalry within the body politic. I argue that the society governed by justice as fairness is, on account of this rivalry, likely to generate a politically problematic degree of particular envy. In Section 3, I invoke ancient Greece as an example of a society that was, as a result of its intense competitiveness, often imperiled by dangerously elevated levels of peer envy. I then survey the key institutional mechanisms by which the ancient Greeks sought to manage this hazardous emotion. It turns out, however, that most of these mechanisms would be unavailable to Rawls insofar as they starkly contravene his principles of justice. I conclude that if Rawlsians wish to establish a society that fosters rivalry, they would do well to reflect on the means by which peer envy can be effectively harnessed. (shrink)

Since the launch of applications such as DALL-E, Midjourney, and Stable Diffusion, generative artificial intelligence has been controversial as a tool for creating artwork. While some have presented longtermist worries about these technologies as harbingers of fully automated futures to come, more pressing is the impact of generative AI on creative labour in the present. Already, business leaders have begun replacing human artistic labour with AI-generated images. In response, the artistic community has launched a protest movement, which argues that AI (...) image generation is a kind of theft. This paper analyzes, substantiates, and critiques these arguments, concluding that AI image generators involve an unethical kind of labour theft. If correct, many other AI applications also rely upon theft. (shrink)

Ṣadr, Muḥammad Bāqir; Islamic philosophy; 20th century.

Dewey's voluminous writings, spanning decades and reflecting the contrasting national moods of different historical periods, abound with tensions, not to say contradictions. In highlighting and working with a conflict within Dewey's commitments, then, I do not mean to be catching him out or correcting a mistake. The tension on which I focus is one with which he struggled for most of his philosophical career and one that he never satisfactorily resolved, yet it is also one that goes to the heart (...) of what it is to be a pragmatist. It involves the role of final ends in a philosophy that places practical reasoning at the heart of all knowledge. I will argue that while Dewey had powerful philosophical prejudices that prevented him from adequately dealing with this problem himself, a solution is nonetheless forthcoming that maintains, and perhaps even deepens, the main themes of his pragmatism. Setting out this solution will lead me, in the end, to a novel formulation of the pragmatist theory of truth. (shrink)

Classical Sanskrit commentary on Brahmasūtra; includes original Sanskrit text with English translation.

[1] The early years, 1878-1923 -- [2] The middle years, 1923-1945 -- [3] The later years, 1945-1965.

Many people are worried about the harmful effects of climate change but nevertheless enjoy some activities that contribute to the emission of greenhouse gas (driving, flying, eating meat, etc.), the main cause of climate change. How should such people make choices between engaging in and refraining from enjoyable greenhouse-gas-emitting activities? In this chapter, we look at the answer provided by decision theory. Some scholars think that the right answer is given by interactive decision theory, or game theory; and moreover think (...) that since private climate decisions are instances of the prisoner’s dilemma, one rationally should engage in these activities provided that one enjoys them. Others think that the right answer is given by expected utility theory, the best-known version of individual decision theory under risk and uncertainty. In this chapter, we review these different answers, with a special focus on the latter answer and the debate it has generated. (shrink)

The article discusses two bioart projects that bring the symbolically core human substances of blood, sweat and tears into technologically mediated relationships with plants and fungi to explore human kinship with other species: Tarah Rhoda’s BS&T (short for ‘blood, sweat and tears’) and OurGlass, and Saša Spačal’s MycoMythologies: Patterning. The article analyses the art projects through the lens of the molecular gaze and different perspectives on kinning, bringing anthropological conceptualizations of kinship together with Haraway’s pathways to connect with other species. (...) How can bioart use technologies to explore interspecies kinship through a molecular gaze? And may such artworks contribute to the toning down of human exceptionality in the face of a precarious future? We find that artworks providing a molecular gaze on interspecies biological processes may risk a decontextualized approach to complex relational processes but may also create new visions of filiation even with biological organisms imagined to be genetically distant from humans, thus spurring awareness of the fragile interrelationships among species. (shrink)