In modern European culture the explication and the understanding of nature is determined by the specific traits of systemic objects investigated by science. The paper singles out three types of systemic objects, i.e. simple (mechanical) objects, complex self-regulating, and complex self-developing systems. Categorical structures accounting for each of these types are analyzed.The paper shows that the investigation of every new type of systems changes the type of scientific rationality (classical, nonclassical, post-nonclassical).

The conceptual basis of Hellenic theology was theoretical reflection on the essence of myth, the philosophy of mythology. Several stages can be distinguished in the history of Hellenic theology. The subject of this article is the Hellenic theology of the epoch of the high classics (Vt. half of the V century BC). The cultural roots of the High Classics go back to the ancient Enlightenment, which formed the rational attitude of the ancient consciousness to the world. The main event of (...) the era of High Classics is the Peloponnesian War, which accelerated the crisis of the polis system, its way of life, and cultural ideals. The war led to the rupture of social ties, accelerated the individualization of the consciousness of the individual, forced to seek new social and spiritual supports. Serious shifts have taken place in the existential foundations of Hellenic religion, the understanding of man's dependence on the will of the Olympian gods and the measure of human influence on them has changed. If at the beginning of the epoch of the High Classics there was a semantic harmony of the relations between the human and the divine, then by the end of the epoch it was replaced by the confrontation and alienation of the sacred and profane. Ideas about the dependence of man on the world of the gods and the possible influence on the sacred have "blurred", have become extremely uncertain. This tendency manifested itself in various forms - in the strengthening of the influence of sophistry with its skepticism, the opposition of Chthonic and Olympic mythologies, the actualization of the motive of the birth of new gods (while the old ones do not die at all), stories about the deification of bright personalities, etc. Including in the theology of the Hellenic religion, concentrated expressed by the plots and images of the ancient drama (Sophocles, Euripides). The juxtaposition of the sacred and the profane made Hellenic religion meaningless, led it to self-denial. Under these conditions, Hellenic theology was faced with the need to transform the image of the sacred world. Firstly, by giving the otherworldly reality an abstract-conceptual transcendence. Secondly, through the ultimate generalization of mythological images of the gods, up to monotheism. These tasks were solved by the next epoch - the late classics. (shrink)

In the existing philosophical interpretations of mystical experience (constructivism, essentialism, etc.), its essence is usually seen in the features of "mystical knowledge". At the same time, the value-semantic foundations of mystical experience and its existential aspect remain in the shadows. In this article, the mystical experience is analyzed from the standpoint of the theories of the subject's objective activity - the theory of activity (developed in Russian psychology), enactivism, and the concept of the "life world". It is shown that the (...) essence of mystical experience is manifested not in cognitive, but in value-semantic, existential attitude to the world, which is represented by two groups of value-semantic viewpoints. In the first, the dependence of the subject on the sacred object of mystical experience is expressed, in the second - the volitional focus of the subject on overcoming such dependence, "mastering", "acquiring" the sacred object. These attitudes reflect the duality of the need-motivational sphere of consciousness, which gives the activity of the subject, on the one hand, activity, energy, and on the other, meaning. In mystical experience, the subject of active "development", "acquisition" (which can be both real and virtual) is an imaginative "otherworldly reality". The analysis allows us to conclude that mystical experience is one of the forms of motivational states of consciousness. Its peculiarity is that it is aimed at realizing the need for the harmonization of the subject's relations with the natural and social environment, the subject's finding the meaning of the "existence of his self" in an always open to the future, incomplete life world. It is the motivational basis that gives the mystical experience an improvisational character, as well as a creative, renewing potential (within the boundaries of the sensory-emotional experience of the world by the subject). The article also analyzes the concept of semantic reality. It is shown that the semantic foundations of mystical experience reflect the individually unique aspects of human life, are the result of the interactions of many factors of socio-cultural, individual-personal nature (psychological, medical, pharmacological, gender, psychiatric, etc.). (shrink)

The article deals with three patterns for interpretation of language in its relation to the cultural hegemony, i.e. Gramscian, Voloshinian, and Pasolinian. As was shown, the analysis of the language problem is the necessary precondition for justifying the unity of theoretical and practical elements within Marxist philosophy. A common feature for the aforementioned patterns was an attempt to answer a fundamental question: how it is possible to make explicit the relationship between ideology and relations of production by means of the (...) materialist dialectics. A refusal to fetishize language as a particular essence, a revealing that any sign systems are mediated by ideologies, and elaboration of a nonSaussurian structure of language are the core results of the proposed analysis. The starting point for the reflections of the mentioned thinkers was a tenet that communication in the state is determined by how much the institutions of power are able to bring the interests of society under control without disturbing the balance between the political body and the existing social forces. Thus, an ideology plays in two guises: as a symbolic order of legitimation on the society’s part and as a framing the growth of cultural forms. A distinction between the written and the spoken language becomes a politically significant tool to undermine the hegemony, for a balance between the political and the social, between the coercion and the approval, is widely open to fluctuations. Hence is the problem Marxist theorists have tried to solve: how can it be found out, with an examination of statements in non-political contexts, what someone talks of is a part of her political interest. The Marxist thinkers solved it in various ways. For instance, Gramsci focused himself on the reasons of making of the Italian literary canon; Voloshinov considered the proposition that in linguistics a formalism, as well as psychologism, following from a claim that semantics and means of expression are politically independent; and Pasolini sketched the difference between the spoken language, the spoken-written language, and the purely oral language, with unequal subjects of them. (shrink)

Heidegger and Badiou are not likely to be received as philosophical figures inheriting much in common. The only obvious ground which backs both thinkers is that of ontology as primary focus of their intellectual endeavors. However, this is divergence between their philosophies what makes an attempt to reveal some other conceptual foundations their doctrines have in common so important for a historian of the recent transformations in philosophy. The concept of subject looks as an indicator of differences between Heidegger and (...) Badiou, since Heideggerian destruction of the metaphysics of subject is opposed by positive and affirmative indoctrination of subject developed by Badiou. Affirmative concept of the subject implies certain references to Heidegger's negative hermeneutics of the Modern subjectivity where it says about reactionary subject or dark subject. As we see Badiou skillfully attunes his conception to the profound destructivity of Heidegger's negation of subject. What these two thinkers share is certainly the need for a middle term between totality and unifying force of being and particularity and contingency of the individual human life, which would be efficient in denoting the very transition of the particular into the common. The early Heidegger of decisive Dasein can be regarded as a forerunner of the Maoist revolutionary subject of Badiou, with its prophecy of becoming a historical driving force and gathering the strength of the particular around a traumatic Event. For both Heidegger and Badiou the "movement" of truth proceeds trough a series of choices which cannot be governed by a law or "an algorithm." The indiscernible truth forces a subject to permanently find him/herself amid the "undecidable." The procedure of fidelity traverses the existent knowledge. One can scarcely know whether an event has taken place, one can rather bet upon its truth. For both philosophers the concept of truth is indissolubly connected with the problems of ethics. Heidegger points to the "most primordial truth," which is the "truth of existence." Abiding in this truth, Dasein discloses itself to itself and discovers its ownmost potentiality-for-Being. (shrink)

The subject of this research is, first of all, the ontological and phenomenological aspects of the prototype as a category and a kind of phenomenon in the field of art and poetic imagination. The research is carried out mainly on the material of the phenomenological-dialectical concept of A. F. Losev and the phenomenology of the poetic imagination of G. Bashlyar. The historical, philosophical and theological contexts of the concept of the prototype of Losev are revealed. The emphasis is made on (...) the ontological meaning of expression and the prototype, on the ontology of aesthetic and art. Losev's concept, as well as the "direct ontology" of the poetic image in the concept of Baschlyar, are applied to the artistic material that organically meets them. These are the texts of N. Gogol: "Sorochinskaya Fair", "The Night before Christmas", "Terrible Revenge", "Old World landowners", "Viy". The theme of the prototype as an archetype revealing the deep semantics of art has been sufficiently developed, in particular, based on the material of K. Jung's analytical psychology. The novelty of this study includes several aspects. Firstly, based on Z. Freud's approach to the close connection of the infantile-personal and the archaic in the psyche in the interpretation of this artistic material, Freud and Jung's approaches are combined, it is concluded that archaic and eroticism in the primordial element are merged into one whole, therefore it is not necessary to categorically oppose these two approaches to each other, at least when referring to archetypal material. Secondly, this study focuses on the ontological and phenomenological aspects of the prototype, which are not given enough attention in various studies. Thirdly, the study combines concepts such as phenomenological-dialectical, phenomenology of poetic imagination, intertextual analysis in relation to the subject of the prototype, which in their interaction allow us to more fully reveal the primitive element of art. All this can contribute to the creation of a holistic concept of the prototype in art and in the sphere of poetic imagination. (shrink)

The article is related to the revealing of the intent of Hegel’s “Science of Logic”. As authors take it, there is an attempt to imagine the fundamental level of reasoning, where there is no opposition between cognition and its object. In this dimension there is no need to substantiate compatibility between them — it is a level of primary foundation of knowledge. Consequently, any knowledge at this level may be characterized as “Ultimate”. That being said, place of such knowledge is (...) not taken by several specific statements, but by the certain way of organizing those “mental definitions” that are already used by common human sense. To organize these definitions, to arrange them into consistently deployed sequence of logical notions, there is need to abort the search for the primary foundation for knowledge inherent in philosophy from its very origins. This attempt was reflected in Kant's theory of knowledge, where the problem of the reliability of knowledge was solved due to self-limitation in the process of cognition — it was necessary to stop before a certain line, beyond which thought leaves “the limits of possible experience” and falls into the area of insoluble contradictions (antinomies). Hegel's Logic, which, according to the authors, is in a kind of “symbiosis” with the Kantian program, consists in considering these insoluble contradictions precisely as a “symptom” of achieving the primary foundation of knowledge. It is in the collision with an insoluble contradiction that the definitions are organized in the necessary logical sequence, and that fundamental level is reached where there is no opposition between cognition and its object. (shrink)

The article proposes to consider Hegel's “Science of Logic” as a project, where the most important thing is not to describe the “laws of thinking”, but rather to propose a more precise definition of the theoretical level at which thinking itself becomes the subject of its own description. Thus, on the one hand, Hegel reveals the paradox that lies at the basis of the logic as a philosophical discipline, and on the other, seeks to show the possibility of the existence (...) of the logic in the extreme conditions of this paradox. Within the framework of this approach, logic is inseparable from the theory of knowledge — it is assumed that the configuration or “form” of thinking cannot be “neutral” with respect to its content. Therefore, according to Hegel, in reality there is not the logic of isolated operations occurring in the mind, but the logic of “the object itself”, which shows and directly embodies itself in these operations. At this level, there is no gap between the thinking consciousness and objects of the external world separated from it. We are talking about a special — “pre-ontological” — dimension, where the subject's sensory experience is not yet launched and distinguished, and a subject of the thinking process and thinking itself form a single whole. Such a dimension is developed in the historical experience of philosophical thought, starting from Antiquity, and is captured by Hegel under the name of “Ultimate knowledge”. The article raises the question of why this dimension repeatedly eludes us, acquiring a “semi-mystical” status in the minds of Hegel's interpreters, and yet how it is still possible to infiltrate into it. (shrink)

Viacheslav Ivanov's concept of person underwent significant development in the course of his career. In his earliest works the person is a transient form that is to be superseded by union with the supra-personal, transcendent self. In works of his middle period Ivanov posits the person as an image of the transcendent self. Lastly, in the 1910s Ivanov integrated these two concepts into a hermeneutic view of the person as an agent of transcendence.

Viacheslav Ivanov sought a religious account of art and being that would avoid the dangers of pantheism and agnostic immanentism. Ivanov's efforts to meet this challenge can be viewed as an "overcoming of Romanticism" insofar as his initial position resembles that of the German and English Romantics. Our analyses of Ivanov's artistic and theoretical texts elucidate his Romantic dilemma and its resolution. ;Between 1903 and 1919 Ivanov's thought presents three phases. First, Ivanov promoted an ecstatic creativity rooted in the (...) "non-acceptance" of the world of forms. This "theomachy" was followed by a "theurgical" aesthetics that, while affirming a transcendent world of forms, either negated the immanent world or else conflated the two in pantheism. Finally, by placing man as a palpable and autotelic reality at the center of his worldview, Ivanov achieved a positive vision of finitude without encroaching on the integrity of the infinite. ;In Ivanov's poetry this final stage is represented by the image of the "tender mystery." This image is also key to understanding Ivanov's longer artistic works. Prometheus expresses the tension between ecstatic creativity and the need for continuity in spiritual labors. Infancy relates Ivanov's sense of ancestral culpability. The Tale of Svetomir-Tsarevich reinterprets and redirects Russian culture by reprising the past and elucidating its moral imperative. The Roman Diary surveys all of the major themes of Ivanov's oeuvre in a many-layered historical chronology. In his longer works Ivanov reads his own life in the universal spiritual-historical continuum, turning autobiography into an epic narrative. ;Ivanov's anthropological vision is personalist, existentialist, and hermeneutic. Reconceiving Ivanov's aesthetics as a hermeneutic illuminates Ivanov's "overcoming" of Romanticism and also Ivanov's relevance. First, Ivanov's hermeneutic, distinguished by a religious-tragic understanding of all cultural events, points to particular similarities and differences between modern intellectual trends in Russia and the West. Second, Ivanov creates a new field---Russian cultural hermeneutics, which articulates the moral imperative of living tradition, understood as a mediated representation of transcendent reality. Third, his hermeneutic theory provides a creative solution for the problems engendered by theomachic and theurgical aesthetics in Orthodox theology. (shrink)

Viacheslav Ivanov, the central intellectual force in Russian modernism, achieved through his work an original synthesis of Christianity, Platonism, and the philosophy of Friedrich Nietzsche. His powerful intellect exerted an immeasurable influence in modernist Russia and the early Soviet Union, and after emigrating to Italy in 1924 he played an important role in intellectual debates in Western Europe between the wars. In recent years, Ivanov's manifold contributions have been recognized in all major aspects of Russian culture, including poetry, literary (...) theory, philosophy, and theology. In _The Russian Prospero_, Robert Bird uncovers the foundations of Ivanov's poetic and theoretical universe, traces its evolution, and explores its connections to cultural and intellectual currents in international modernism. Blending a close reading of Ivanov's work with a thoughtful analysis of his place within twentieth-century thought, Bird finds that Ivanov's ecstatic creative psychology leads directly to a consideration of history as a continuum of human interpretive activity, and to a conception of art as a historical force. He emphasizes and dramatizes Ivanov's quest to harness the power of art and apply it to concrete life-situations. It is the dilemma of Prospero, who must liberate his attendant spirit Ariel in order to restore full sovereignty over his own creative self and to regain ethical agency. The productive tension that resulted from Ivanov's struggle was a remarkable force in Russian modernism and remains a powerful spur for our own reflections on modernity. Outstanding Academic Title, _Choice_ Magazine “[Bird’s] clear explanations of Ivanov’s ideas and his informed, insightful, astute readings of the poetic works make this book required reading for anyone interested in modern poetry, intellectual history, cultural studies, and philosophy of early 20th century Russian and European thought.... Essential.”—_Choice_ “[Bird] makes a welcome contribution to our understanding of Russian modernism in its broader European context.... In this undertaking he has not only succeeded admirably, but will undoubtedly inspire others to follow him.”—Pamela Davidson, _The Russian Review_ “The most comprehensive overall treatment of Ivanov’s work to date.”—David N. Wells, _The Slavic and East European Journal_. (shrink)

P. Ia. Chaadaev continues to attract the attention of researchers of Russian thought. Some recent publications in our press justify the assertion that scholars are interested not only in this or that side of the views of "the philosopher of Basmannaia Street" but also in the very character of his mentality and its place in the history of Russian philosophical thought. Thus, Viacheslav Vsevolodovich Ivanov writes in his article "Chaadaev-Our Contemporary" [Chaadaev-nash sovremennik] : "There are several reasons why Chaadaev (...) is not at home in Russia and in the history of Russian thought. One of them is his extreme rationalism and logical orientation. He is the follower of Western European rationalism, mainly, I think, of the French rationalist tradition. For him the chief achievement of civilization is the syllogism, the deduction of logical conclusions from some kind of premises and he takes history to be a unified whole." The same problem of Chaadaevan mentality is raised by P.V. Kuznetsov in his article "The Metaphysical Narcissus: P. Ia. Chaadaev and the Fate of Philosophy in Russia" [Metafizicheskii nartsiss. P. Ia. Chaadaev i sud'ba filosofii v Rossii] , which contrasts Chaadaev's thought with the Eastern "apophatic consciousness.". (shrink)

In this paper Russian Symbolist philosophy is represented primarily by Viacheslav Ivanov (1866--1949), but its conclusions are intended to be valid for other philosophers we classify as Symbolist, including Nikolai Berdiaev and S. L. Frank. It is posited that, by comparing Ivanov''s cosmology, aesthetics, and anthropology to those of Martin Heidegger, one can reconceive of Symbolist philosophy as an existential hermeneutic. This, it is claimed, can help to identify a common basis among the Symbolist philosophers, and also to place (...) Russian thought in the context of modern European philosophy and vice versa. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:BOOK REVIEWS 145 Luther on Thomas Aquinas: The Angelic Doctor in the Thought of the Reformer. By DENIS R. JANZ. Veroffentlichungen des Instituts fiir Europiiische Geschichte Mainz, Abt. Religionsgeschichte, Bd. 140. Stuttgart: Franz Steiner Verlag, 1989. Pp. ii + 124. DM 38 {cloth). As Denis Janz, specialist in the late medieval context of Luther's thought (Luther and Late Medieval Thomism, 1983), points out in the "Prospectus," a study of (...) Luther's understanding of Thomas has an inherent appeal, for, " rightly or wrongly, Thomas and Luther are inevitably regarded as the standard-bearers of Roman Catholicism and Protestantism" {p. 1). The recent completion of the necessary critical indices has made the task possible, and the result is a fine and necessary contribution to the work of all scholars interested in the thought of these two pivotal Christian thinkers. The method of Janz is straightforward: assemble the references to Thomas in Luther's works, organize them into appropriate categories, exegete their meanings, and discern important tendencies or perspectives common to these texts. Then "the accuracy of Luther's understanding and the cogency of his critique " can be evaluated from the perspective of twentieth cenrtury historical knowledge {p. 2). Janz recognizes that there are significant hermeneutical difficulties inherent in such a study and that any evaluation " may well imply a notion of history as progress, perhaps even a confidence in the intellectual superiority of modernity over the past " (p. 3). The result bears out the soundness of his approach. Chapter I examines "Luther on the Person of Thomas." Luther, sharing in and contributing to his time's distinctive theological polemic, had no shortage of epithets for Thomas, from " Sophist " to " beggarly paunch " {p. 4). The remarkable thing is the surprising number of complimentary things he has to say. At different times of his career Luther referred to Thomas as " this holy man " or " a man of ' great genius '... woefully misunderstood " {p. 5). A most interesting example is the different uses he makes of a story of Thomas's struggle with despair when near death, when Thomas faced his Anfechtung by holding the Bible and saying "I believe what is in this book" (p. 8). Sometimes Luther cites it as an example of the weakness of implicit faith; but other times he makes no critical comment on Thomas, and the story implies the victory of faith over despair. These different uses show the ambiguity of Luther's attitude toward Thomas as a person, and what in balance seems to be " grudging respect " for an " example of how great persons can at the same time be seriously mistaken " (p. 10). 146 BOOK REVIEWS Chapter U, which comprises the bulk of the hook, carefully examines the substantive issues on which Luther mentions and responds to Thomas: experience, the use of Aristotle, Scripture, penance and indulgences, the Lord's Supper, monasticism, justification, law, baptism, angels, papal authority, purgatory, and the veneration of images. On some of these issues Janz sees only a minor critique of Thomas by Luther and sometimes little real difference between their positions. Both Luther and Thomas give primacy to the literal sense of Scripture, and "both teach that the Church and theology stand under the authority of Scripture" (p. 30). On this question Luther's critique has more to do with the Thomists than Thomas. In regard to penance and indulgences Luther criticizes Thomas's view, though here again there is distortion of Thomas by the Thomists, which Luther correctly suspects (pp. 44-45). Though Luther disagrees with Thomas's understanding of the Lord's Supper, he feels Thomas was entitled to his opinion; what he cannot bear is how Thomas has been raised " to the level of an infallible teacher," with his opinions transformed "into articles of faith" (p. 48). Justification, the heart of Luther's thought, is "a relatively insignificant issue " in his critique of Thomas, as Luther eventually comes to understand better the key place Thomas gave grace (pp. 60, 61). Luther sees Christ as the " abrogation " of the law and criticizes Thomas for not seeing it this way; however, this is a linguistic misunderstanding of Thomas, probably based on Gabriel Bicl's teaching, so that Thomas and Luther are... (shrink)

The article discusses two bioart projects that bring the symbolically core human substances of blood, sweat and tears into technologically mediated relationships with plants and fungi to explore human kinship with other species: Tarah Rhoda’s BS&T (short for ‘blood, sweat and tears’) and OurGlass, and Saša Spačal’s MycoMythologies: Patterning. The article analyses the art projects through the lens of the molecular gaze and different perspectives on kinning, bringing anthropological conceptualizations of kinship together with Haraway’s pathways to connect with other species. (...) How can bioart use technologies to explore interspecies kinship through a molecular gaze? And may such artworks contribute to the toning down of human exceptionality in the face of a precarious future? We find that artworks providing a molecular gaze on interspecies biological processes may risk a decontextualized approach to complex relational processes but may also create new visions of filiation even with biological organisms imagined to be genetically distant from humans, thus spurring awareness of the fragile interrelationships among species. (shrink)

Guardate gli uccelli del cielo --Escrizi di cristianesimo -- L'arte di raccontare storie ai bambini -- Aver bisogno di Dio è la suprema perfezione dell'essere umano.

On Vishnu, Hindu deity as portrayed in Bhāgavatapurāna, Hindu mythological text and Vaiṣṇava philosophy.

On philosophy of recognition in Kashmir Śaivism.

The article attempts to define a worldview paradigm in the philosophy of H. Skovoroda. In historical and philosophical studies, there is a certain difference of opinion regarding the evaluation of the main provisions of the Ukrainian’s enlightener philosophy. Scientists emphasize the manifestations of pantheism, dualism, pluralism and mysticism in the work of H. Skovoroda. This is a palette of mutually exclusive definitions of the main philosophies of the thinker.The conducted critical analysis of the Skovoroda’s philosophical heritage allows us to reveal (...) the deistic direction of his worldview positions. However, compared to the conceptual presentation of deism by the founder of the French Enlightenment of the 18th century, F. Walter, the philosophical deistic positions of H. Skovoroda have their own characteristics. The deistic tendencies of Walter’s worldview are based on the principles of rationalism. They permeate the foundations of his theoretical and practical philosophy. The Ukrainian enlightener’s principle of deism is based on manifestations of the highest divine wisdom. They include rational forms of existence and knowledge, spiritual and practical, moral foundations of human existence. (shrink)

Digital technologies can be an asset to serving communities and societies through data analytics and management to achieve greater good. However, care must be exercised in that societies without digital access do not get overlooked or, worse, face abuses of privacy disclosure or exploitation. Regulations exist to prevent this happening, but ethical considerations are important in deciding in what is allowable and what is not. The further risk of artificial intelligence where computers start to make autonomous decisions and the vulnerabilities (...) we are exposed to is considered. Steps are proposed to develop an ethics-based digital strategy and how to mitigate cyber risk. (shrink)

In 2022, the Camden Coalition Medical-Legal Partnership began providing civil and criminal legal services to substance use disorder patients at Cooper University Health Care’s Center for Healing. This paper discusses early findings from the program’s first year on the efficacy of the provision of criminal-legal representation, which is uncommon among MLPs and critical for this patient population. The paper concludes with takeaways for other programs providing legal services in an addiction medicine setting.

Jean Cavaillès (15 mai 1903-17 février 1944) était un philosophe français, héros et l'un des organisateurs de la Résistance, avant d'être fusillé à 40 ans par les nazis. Une journée d'hommage lui a été consacrée le 17 février 2014 à l'Ecole normale supérieure de Paris. Pierre-Yves Canu, Tommy Murtagh, Hourya Benis Sinaceur, Paul Cortois, Alya Aglan, Baptiste Mélès, Gerhard Heinzmann et Jacques Lautman présentent un Cavaillès indissociablement philosophe et Résistant, explorent les racines de sa pensée, montrent l'actualité de ses concepts. (...) Jean-Jacques Szczeciniarz et Christian Houzel proposent une analyse du Mouvement de la jeunesse allemand, un historique de la société Les Amis de Jean Cavaillès, éditrice du présent recueil, et deux hommages à celui qui la présida de 1989 à 1995, le mathématicien Henri Cartan. (shrink)

Treatise, with commentaries, on Navya-Nyāya philosophy.

A fiatal kutató a szociológiai értelemben vett segítés elméletével és gyakorlatával foglalkozik, s ezen belül is egyrészt azzal, hogy adott helyzetben miként jönnek létre az ún. jóról alkotott elképzelések, másrészt a kisebbségi magyarok segítésének elképzeléseiből miként erednek konkrét civil cselekvések, és ezek hogyan teremtik újra a résztvevők nemzet- és magyarságképét, harmadszor pedig górcső alá kerül a civil segítés hatalmi dimenziója. A bevezetőt követően olyan témákat érint a szerző, mint a jótékonyság modelljei, az "érdemesség" szerepe, a segítő-segített pozíciók aszimmetriája (hatalom újratermelésének (...) modelljei, elismerés és jótékonykodás, hatalom a jótékonyság elméleti modelljeiben), a kisebbségi magyarok támogatásának intézményes keretei, illetve a módszertan (programok kiválasztása, alkalmazott módszerek). ***A folytatásban olvashatunk négy konkrét programról, a segítés ideológiájáról és azok újratermeléséről (hiány és érdemesség toposzai, rítusok, "másság", érdemesség fenntartása és újraalkotása), az elismerés korlátairól és lehetőségeiről, valamint a gondoskodás és intimitás jótékonyságban játszott szerepéről. A szakkönyv a következtetések összegzésével, és a felhasznált irodalom felsorolásával zárul. A kötet az Ünnepi Könyvhét alkalmából jelenik meg. "www.kello.hu © minden jog fenntartva". (shrink)

Industry-funded religious liberty legal groups have sought to undermine healthcare policy and law while simultaneously attacking the rights of sexual and gender minorities. Whereas past scholarship has tracked religiously-affiliated healthcare providers’ growing political power and attendant transformations to legal doctrine, our account emphasizes the political donors and visionaries who have leveraged religious providers and the U.S. healthcare system’s delegated structure to transform social policy and bureaucratic agencies more generally.

Both the concept of a Darwinian tree of life (TOL) and the possibility of its accurate reconstruction have been much criticized. Criticisms mostly revolve around the extensive occurrence of lateral gene transfer (LGT), instances of uptake of complete organisms to become organelles (with the associated subsequent gene transfer to the nucleus), as well as the implications of more subtle aspects of the biological species concept. Here we argue that none of these criticisms are sufficient to abandon the valuable TOL concept (...) and the biological realities it captures. Especially important is the need to conceptually distinguish between organismal trees and gene trees, which necessitates incorporating insights of widely occurring LGT into modern evolutionary theory. We demonstrate that all criticisms, while based on important new findings, do not invalidate the TOL. After considering the implications of these new insights, we find that the contours of evolution are best represented by a TOL. (shrink)

Study of philosophical aspects of Adhyātmarāmāyaṇa, portion of Brahmāṇḍapurāṇa, Hindu mythological text.

On the life and teachings of Śaṅkarācārya; includes history of Daivadnya Brahmans, Hindu caste in coastal region of Maharashtra, Goa, Karnataka, and Kerala.

“The Bodhisattva’s Practice of Enlightenment” interprets a Los Angeles Times newspaper opinion piece by Thich Nhat Hanh as a contemporary image of enlightenment with far-reaching implications. Written in response to the brutal police beating of Rodney King and not intended for a Buddhist audience, this brief newspaper article nevertheless provides glimpses into the contemporary meaning of enlightenment. The chapter considers Thich Nhat Hanh’s comments in relation to the basic principles of Buddhist ethics before turning to the Vimalakīrti sūtra, a classical (...) Mahayana Buddhist scripture, to extend an understanding of what it would mean to experience the world through an in-depth awareness of “no-self.” Dwelling on the bodhisattva’s effort to cultivate generosity of spirit, the chapter considers the kinds of human relations that Thich Nhat Hanh’s sense of enlightenment entails. (shrink)

The paper investigates the video game discourse of the Russian state media from 2011 to 2015. Critical discourse analysis serves as a methodological framework for this work, and Foucault’s power/knowledge model is used to explain the logic behind the «grotesque discourses». In the Russian press, video games are described as an instance of inculcation, provoking overintense emotions and forcing individuals to commit symbolic acts impossible from the standpoint of “normal” pedagogy. The paper problematizes the mythologization of violence in video games (...) and identifies the main tropes used to establish the connection between video games and violence (murders) as “natural” and “obvious”. Particular attention is paid to the publications of Aleksandr Minkin, a reporter at “Moskovskij Komsomolets” (“Moscow Komsomol Member”) and one of the most prominent critics of video games, as well as to the media coverage of the first school shooting in Russia (shooting at school № 263 in 2014). It is shown that video games are used in the media discourse as an explanatory principle that allows a shift from the crime to the criminal, to those acts which reveal moral depravity or psychological disorder, and those circumstances which foster criminalism. Pointing to the games helps restore the “normal” connection between social and moral qualities, explaining the crime committed by an honours student from a “good family” as being the result of the depictions of violence in video games affecting the child’s psyche. Video games are also described as a factor in shaping the “digital generation” or “generation of gamers” — odd and politically dangerous. The dangers that games create for both gamers and society in general (the non-distinction between the “real” and the “virtual”, the illusion of a “possible restart”) allow the journalists and experts to insist on strengthening measures of supervision and protection, and expanding legal and medical control. (shrink)

The article proposes a new approach to understanding gamification. Its feature lies in taking into account the criticism expressed against gamifi­cation to date. The article examines in detail the history of gamification, it is shown that at its first stage (before 2015) approaches oriented towards extrinsic motivation prevailed, while at the second stage (after 2015) ap­proaches oriented towards intrinsic motivation began to prevail. Ignoring this point just leads to the fact that the criticism expressed in the early 2010s (its main (...) idea was that gamification is a new form of exploitation and manipulation) seems relevant today, although in fact it is no longer so. But it’s not just about rethinking criticism, it’s also about taking a fresh look at gamification itself, which has continued (since 2011) to be defined as «the use of game design elements in non-game contexts”. And this is even despite the fact that such a definition no longer corresponds to the current situation. First, it is confusing by mixing gamification with seri­ous games. Second, it is confusing by limiting gamification to non-game contexts. Third, it is silent about why gamification is used. Fourth, it does not explain exactly which elements are being implemented. Alternatively, we propose our own definition: gamification is a methodology for using metagame elements and mechanics to correct human behavior by creating a favorable emotional background. (shrink)

Developing an intellectualist account of skill, Stanley and Williamson define skill as a kind of disposition to action-guiding knowledge. The present paper challenges their definition of skill. While we don’t dispute that skill may consist of a cognitive, a dispositional, and an action-guiding component, we argue that Stanley and Williamson’s account of each component is problematic. In the first section, we argue, against Stanley and Williamson, that the cognitive component of skill is not a case of propositional knowledge-wh, which is (...) typically indexical. In the second section, we seek to show that Stanley and Williamson face difficulties in arguing for a generic claim about skill as a kind of disposition, and they fail to defend intellectualism about skill based on the dispositional account. In the third section we argue that Stanley and Williamson need a more detailed account of the action-guiding aspect of skill to avoid several difficulties, including a threat of a regress. We close with some lessons for the debate over intellectualism and anti-intellectualism about skill. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Creating Life: The Aesthetic Utopia of Russian ModernismJohn GoodliffeCreating Life: The Aesthetic Utopia of Russian Modernism, edited by Irina Paperno and Joan Delaney Grossman; x & 288 pp. Stanford: Stanford University Press, 1994, $39.95.In describing the history of a country’s literature, one may well be tempted to divide it into separate compartments and so lose sight of the continuity which is, in the final analysis, more worthy of (...) attention. Historians of Russian literature have often succumbed to this temptation and it became almost commonplace to read that in Russia the Realism of the nineteenth century gave way to the Symbolism which began in the twentieth; that Symbolism gave way to Futurism; and that in due course all the earlier “-isms” were swept aside by the Socialist Realism of the Soviet period. For Marxist-oriented Soviet [End Page 371] historians such preoccupation with compartmentalization was obsessive. This makes more than welcome a series of essays which is at pains to emphasize the essential connections and kinship between these various “-isms.”Four of the seven essays are intended to demonstrate how the Symbolists, while ostensibly breaking with the earlier tradition of positivism (the idea that art’s essential purpose is to help build a better world), were, in a number of important respects, continuing and even reinforcing what they claimed to despise. Thus, regarding art and life as indissolubly linked, they attempted to turn life into art and art into life. Their endeavors frequently led them into behavior that now appears “eccentric, at times even ridiculous” (p. 166). Olga Matich describes how Blok, Bely, Dmitry Merezhkovsky, and Zinaida Gippius attempted to model their sexual relationships on the pattern of the “erotic utopia” described by Vladimir Solov’ev in his seminal The Meaning of Love (1892–94). Joan Delaney Grossman discusses Nina Petrovskaia’s relationships with Bely and Valery Briusov. Michael Wachtel shows how Viacheslav Ivanov attempted to overcome his grief at the death of his first wife by using his creative powers to make contact with her “beyond the grave.”Irene Masing-Delic traces the Pygmalion myth through Pushkin, Baratynsky, Turgenev, and Chernyshevsky to the Symbolists who were especially attracted by a myth which showed how an artist could create life and even conquer death. In “Andrei Bely and the Argonauts’ mythmaking,” Alexander Lavrov considers the role of the “Argonaut” circle in establishing a Russian Symbolist culture in the first years of the twentieth century. The Argonauts’ credo was “life-creation” rather than “art-creation,” and they claimed to make no distinction between “talent for living” and “talent for writing.” Lavrov argues that the failure of the relationship between Bely and Nina Petrovskaia marked the disintegration of “Argonautism” and the culture they sought to create. It is left to Irina Gutkin in the concluding essay to guide us through the grotesqueries of Futurism into the apparently diametrically opposed, sanitized world of Socialist Realism, by way of Constructivism, Marxism, and Meyerholdian bio-mechanics, leaving us in little doubt that, appearances to the contrary, each of these movements was concerned with turning art into life and using it to create a better world. So ultimately, as she neatly sums up the thesis of the whole collection, “The aesthetic utopian ideal of art creating life, which took shape at the beginning of the twentieth century, was fused with the utilitarian tradition of the 1860s” (p. 181).I have deliberately reserved for the end comment on Irina Paperno’s introduction and opening article (“The Meaning of Art: Symbolist Theories”) in order to emphasize the manifest contribution she and her co-editor, Joan Delaney Grossman, have made to ensuring the coherence of this admirable collection. Professor Paperno’s clear and concise coverage of her topics makes it evident that she was determined that the book should not turn into the kind of bits-and-pieces patchwork that too many publications of this sort tend to [End Page 372] become without a firm editorial hand at the helm. Her earlier book on Chernyshevsky (Chernyshevsky and the Age of Realism, 1988) and Irene Masing-Delic’s Abolishing Death; a Salvation Myth of Russian Twentieth-Century Literature (1992), form the first two parts of... (shrink)